Erika still has a chance as mentioned earlier of fizzling out over the next two days or so. Meanwhile, five days turns into four, and we can make a better guess as to what the storm will do. Otherwise, it is just an Atlantic tropical storm that will likely become a hurricane. That is historically interesting, but just as a coincidence, because ten years ago Katrina did the same thing. Second, this particular storm had a somewhat unusual prediction of being a TS until about landfall in Florida, when it would quickly strengthen to a hurricane. The original point of discussing Erika here was two part. It is as though those who wish to deny the importance of climate and weather, and changes therein, would prefer we not speak of tropical storms. (Latest map added to the top of the post, Thursday evening.)įirst, I would like to note that there has been an odd reaction in various quarters to me posting on this storm. The alternative is that after Erika finishes its pass over Hispaniola it will strengthen and curve to the north sooner and remain in the Atlantic. (Note also that the image at the top of the post is the most current NWS forecast.) This is completely different than the most likely scenario late yesterday, which had Erika reaching hurricane strength near Florida, but staying in the Atlantic but with the possibility of menacing the Atlantic coast somewhere. The somewhat more likely scenario is now that Erika will not form into a hurricane at all, but remain as a tropical storm, and pass along the east side of the Florida peninsula, or in the eastern Gulf of Mexico, or possibly pass over land staying mostly in Florida. It should be Frankenstorm.Įrika is changing, and the forecast is changing. If Erika, this year's Atlantic "E" storm, does regenerate into a named storm, it should take the next letter, "F" but instead of Fred they should use a more appropriate name for a reanimated storm. Hurricane Center unless regeneration occurs." The latest update from the NWS says, "this will be the last advisory on this system by the National degenerated into a trough of low pressure." When the Hurricane Prediction Center woke up this morning, they found Erika, ripped asunder by the rugged terrain of Hispaniola, to have ". Erika is a cartoon dead eye (see graphic above). The residents of Petite Savanne will be resettled to Bellevue Chopin, but no timeframe has been set for the completion of the building.Erika is now an ex-tropical storm. The government is in the process of building new homes for the 39 families in Dubique, with the expectation that the relocation will take place by April 2016. As of 25 September 2015, damage and losses were estimated at EC$1.3 billion (US$483 million) or 90 per cent of the country’s gross domestic product (GDP).The communities of Petite Savanne and Dubique were hardest hit with all residents being evacuated to guest houses and community centres. ( IFRC, )įourteen people were reported dead, 16 missing, 574 rendered homeless and 1,034 people evacuated due to the unsafe conditions in their communities. Than twelve hours and triggered massive flooding and several landslides. A band of torrential rain caused by the system resulted in the 6 to 8 inches of rainfall in less The island of Dominica sustained significant damage due to the passage of Tropical Storm Erika on 28 August. There are reports of casualties and damage to infrastructure: 25-30 persons presumed missing in the north-eastern and south-eastern areas of Dominica. Preliminary reports indicate that there has been significant rainfall in Dominica that has resulted in flooding and landslides. Tropical Storm watches have been issued for the Southeastern Bahamas and the Turks and Caicos Islands. On 27 Aug at 2.00pm Tropical Storm warnings remained in effect for the following countries: Anguilla, British Virgin Islands, Montserrat and St. Erika, the fifth named storm of the Atlantic hurricane season, formed on 24 August, 2015.
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Make sure your correct address has been updated in your Etsy account.Select from our shipping class options (all items shipped next day!).Cut two wings out of black construction paper. Glue two wiggle eyes stickers to the soon to be bat corner bookmark. If you are purchasing more than one tumbler add them to your cart one at a time with personalization Grab hold of the left corner and fold it towards the top of the triangle.Enter personalization details in the “add your personalization” field (follow provided directions) Very easy origami Bat (Tadashi Mori) Tadashi Mori - Origami Tutorials 468K subscribers 318K views 7 years ago Super easy origami bat for your halloween decoration I'm Tadashi Mori, and my.Choose any applicable design variation from the dropdown.Please do not add a quantity of more than one to your cart at a time (unless you would like them to all read the same)as only one personalization can be put in order at a time*** ***Every customization needs to be added individually to cart. It is recommended that you hand was for longer duration of the design. These names are UV printed and hold up well over time. These Tumblers are personalized with the name of your choice. Help us grow our reputation here as well! All orders come with 100% SATISFACTION GUARANTEE! If for any reason you are not happy, message us for a full refund and keep the item! Otherwise, all we ask is for a review :)īeautiful Skinny Acrylic Tumblers with Lid and Straw! Use your bats as part of Halloween compositions.BUY WITH CONFIDENCE - We have many thousands of happy customers outside of Etsy. Hang these origami bats upside down from a thread It is best to use paper with the same color on both sides.
Final Boss: At approximately 350 seconds, The Leviathan spawns.To balance this, stuff spawns faster and the arena gradually gets smaller. Early Game Hell: While never easy, per say, waves become easier to deal with when you level up as your increased damage allows your to kill spawners and clear hordes of chaser skulls quicker.Degraded Boss: Multiple spiders spawn at the same time later in the game.The first few enemies are just floating skulls, but later a ginormous spider with a skull for a body spawns. Each enemy type has a unique "slain by" message on the scoreboard that implies this - decapitated and eviscerated are the most pleasant deaths. Body Horror: Whatever happened to your hand to allow it to shoot daggers really messed it up - it appears to be causing your blood to boil and your flesh to melt away.While not too strong, it's capable of defending against your shots making it tough to take down if you get overwhelmed. One of the "boss" type enemies is giant spider Mook Maker that sucks in crystals to power itself up.The Centipede enemies and their high-level variants are massive in size.Artificial Brilliance: The monsters are downright devious in their ability to track you, and the spiders are good at timing your shots to block them.A fansite can be found here where players can view leaderboards, a bestiary of the game's enemies, and share community made spawnsets of the game. The game also boasts a minimalist design - very little is directly communicated through the player through words, leading the player to figure out how to do everything on their own and what anything in the game actually means. It is an arena shooter that is built for multiple repeated playthroughs and is a send-up to classic 90's shooters like Quake and Doom. There's no story, minimal HUD, and no tutorial - the only thing that will keep you alive is your own skills and ingenuity - and even then, that will only get you so far until the monsters overwhelm you.ĭevil Daggers is available on Steam here for about $5, developed by one of the members of HITBOX Team, known for their work on Dustforce. However, you are, quite literally, armed, with your hand able to shoot out a stream of piercing daggers that appear to be made from your blood in a machine gun-like stream or shotgun-like burst. Surviving, however, is difficult when you have a legion of flesh-hungry eldritch monstrosities tracing your every step. In 2016's Devil Daggers, you have one goal: live as long as you possibly can. He and his girlfriend exemplified many of the locals we met at the convention, friendly, hard-working, and excited about good tattoos! The customer was a welder and tattoo fan who brought his own sketch up to be redrawn and endured the tattoo amid the chaotic convention conditions like a champ. Then on the final day of the convention I got to put a lot of what I had picked up in the seminar into practice on a big gypsy girl head I did. So the seminar was excellent, we got to ask questions and generally shoot the shit on a technical level with about 30 tattooers in a small conference room, some of the things discussed were totally new to me, some of my vague leanings confirmed and in general a desire to practice drawing the ladies (twist my arm!) was fired up. His tattoos are a master class in the power of restraint and simplicity. Lots of people whose work i aspired to now seems not so magical or technically advanced as it used to, but Chris’ stuff still awes me in its elegant simplicity and his ability to tell so much with so little. Not only was Chris one of the earliest inspiration for me in tattooing, his work is one of the few that has held me in awe exactly the same as it did 14 years ago when I began tattooing myself. The verdict is that they are two of the awesomest folks I’ve met through this crazy tattoo world.Īnother first was meeting Chris Conn and attending a workshop he was holding on how to draw and tattoo the female form. Cara and I always have fun traveling to and from conventions, but with these guys in the car it was great! the time flew and the conversation ran all over the place, I learned a lot and I’ve always felt that you could tell how you really feel about someone by being trapped in a car with them for a while. We drove there and back with our friends Jason Angst and Mel with whom we were splitting the booth and who set the whole ting up for us in the first place. Detroit also had the most efficient and nicest waitresses I’ve ever met. And while we did see plenty of dystopian scenery we also saw that the people living there were as vibrant and hopeful as anywhere. It was a weekend of firsts for Cara and I as we headed off to the Motor City tattoo expo, I have never been to Detroit before and I will admit to having a few preconceived notions, mainly that the city was a burned out shell of a former industrial giant. I would finally like to say a special thank-you to Sheldon Richman for having suggested this title as a release. This is a book that gets to the core of what makes economics wonderful. I wish now that the first book I had been given was Ballvé’s Essentials of Economics. Still, I stuck with the discipline until I finally bumped into the works of Hans Sennholz, Ludwig von Mises, and the whole Austrian tradition. Rather than dealing with recognizable forces at work in the word, it dealt with unreal mechanical postulates that abstracted too far from anything to do with human choice. It was a tutorial that covered the essentials of Keynesian theory. I walked into the head of the department’s office at Texas Tech University and asked him point-blank: What is economics? He said just as pointedly: It is the science that seeks the causes for why civilizations rise and fall and the material forces that are ultimately behind these great events. Finally I stumbled on this thing called economics. I looked through university catalogs randomly. When I was 17, I had a sudden realization that I wanted to study something new, something fresh, a discipline that I had not yet encountered, something that would appeal to all my interests (history, philosophy, arts) but allow them be applied in a new way. For this beleaguered generation of freedom-minded individuals assaulted on every side by trends toward centralization, this tutorial is truly the light. Its lessons are broad enough to apply in all times and all places. It is completely free of the tendency toward political posturing. It is, in many ways, the perfect tutorial in what economics is and what it implies about our world. The book does not require a great deal of time, but it covers a vast scope of topics. What Read had seen in this book others saw as well. It was a widely read primer on economics in the 1960s, read by champions of free enterprise who wanted to understand and promote that understanding. FEE distributed many thousands of copies, perhaps even many tens of thousands of copies. It was piety for truth that drove the decision. He saw the high quality of the work and decided to push it. Read would not be able to sponsor lecture tours by the author or otherwise turn him into a big star. He had no champions, money, or connections. He had no academic position in the United States. Ballvé was an unknown in the United States. He read through Ballvé’s work and decided that he would use the extremely scarce resources of the foundation to promote and distribute the book as widely as possible. He had a remarkably independent mind and a good eye for literary value. His passion was finding literature that propagated economics to the intelligent layman. Leonard Read (1898–1983) was head of the Foundation for Economic Education. Without this act of benevolence, this book would have likely been forgotten.īut there is another important act of entrepreneurship behind this work. This was one of thousands of incredible projects pushed by the Volker Fund in those years. The William Volker Fund, administered by its founder’s nephew Harold W. Two additional names deserve special mention in the tale of how it came to the English-speaking world. It sold very well and went into several editions. After Ballvé felt that he had most of his questions answered, he sat down to write this short book. Professor Ballvé was teaching in Mexico when he heard Mises speak. This edition helps to rectify the problem.īut let’s take a step back to the early years when it was first published. In his outstanding introduction, Art Carden speaks of the scandal that it is not better known. In times when economics is subject to vast political manipulation, when people have abused the science to push political agendas contrary to everything economics stands for, this book stands out as a clear, objective, and rational statement of the core of what economics teaches. And this book does economics extremely well. If it is done well, it applies in all times and places. The enduring power of this book is due to the enduring power of economic logic. We will do our best to work with you to make the truck lope but some trucks with tired injectors mainly simply will not lope. Please keep this in mind when ordering as there are no refunds on tuning. We have noticed that if your truck has a ficm tune then it doesn't work well, plugged spill ports or simply tired injectors that are older the tune will not lope. Anything after 72 hours there will be a surcharge pro-rated for time from original tune starting at $25.ĭisclaimer - This tune will work great on the majority of trucks. If you feel a revision is needed then please let us know within that time frame and we will make recommendations based on the info we give or we will modify the tune and send again. Revisions - You have 72 hours to test the tunes. If there were a situation where we could not meet this expectation we would email you and let you know the expected date. Tunes are generally written with 24hours of receiving the order. Just let us know if you would like either option. Whistle or Open Viens - Whether you love the classic whistle of the 6.0 or the rumble of the Powerstroke we can help.GTX is also the premier data monitoring solution, giving.
Scan the LEGO® model with a phone to make it come alive. Interacting with the model makes things happen in the app. Digital play experience starts right after the fun build. Use app to find and capture ghosts floating around the model. Turning the color wheel interacts with the mini game in the app. Role-play removing the ghost from the minifigure. Add a fun in-app play challenge with boss ghost Bobo. Thanapob and Paris’s depictions of what happens when you go overboard with your curiosity will touch your heart and by the end of everything, you might shed a tear or two as well.Plus Spencer the ghost dog figure and 2 smartphone accessory elements Use the app to bring the model to life for creative play options. The last half is the best part of this film and leads Thanapob Leeratanakachorn and Paris Intarakomalyasut do a great job with the roles that they are given. Wee and Gla turn into opposite people than who they were before and it’s such a nail-biting experience. With around half an hour remaining, Ghost Lab takes another turn. There aren’t many jumpscares but the ones that are there are pretty good, I’d say. Additionally, the poltergeist activities that we see before are also pretty great. The shock factor when things take a horrifying turn is very in-your-face and shock the hell out of you. This weird path, however, is surprisingly new, I’d say. Holy shit the movie takes a weird path to ghosts. And after tragedy strikes, Wee decides to do something a little unorthodox.īut if you thought Ghost Lab was unbelievable before this, wait till you reach the halfway mark. Additionally, curiosity is a dangerous thing. However, these late-night escapades result in them not getting enough sleep which has an adverse effect on their jobs. The boys then set out to find poltergeist activities around them, since it’s easier to record. Wee, who was hesitant a moment ago, agrees to help him almost instantaneously.Īlso Read: Introspectum Motel Review: Sex, Skin, Nudity and Revenge | Netflix’s Army of the Dead Review: Disappointingly Lacks Soul We get an explanation for it then and there, there’s no beating around the bush. Gla’s whole life is about researching ghosts and proving that they exist. They then find a camera-free zone in the hospital where they dive into supernatural experiments to prove the existence of the paranormal, on par with the title. Wee and Gla are taken aback however, after the apparition vanishes, the latter seems to not be able to contain his excitement. It’s a bizarre watch because of how improbable what we’re seeing on-screen is. It also contextualises a lot of things that will happen in the latter half.ġ0-15 minutes into Ghost Lab you get your first slice of the paranormal. It’s a way for us to feel an attachment and root for the characters when they get into some shit, when they definitely will, considering the title of the film. We get to know about Wee’s mother and her illness as well as Gla’s girlfriend. It is during these moments that the film tries to give us as much background information as it can about the characters whom we are expected to follow. He wants the nurses at the station to tell him if they see anything paranormal and the thought seems to make him excited beyond words. Gla, however, is much more vocal about how anything paranormal excites him. Ghost Lab starts off with Wee saying something interesting, “I never said I wasn’t afraid of ghosts, I just don’t believe in them.” That’s an interesting way to put the concept. After witnessing a haunting in their hospital, two doctors become dangerously obsessed with obtaining scientific proof that ghosts exist.ĭoctors Wee and Gla are interested in the paranormal. “And that doesn’t mean anybody did anything wrong or they weren’t great projects,” he adds, no doubt sensitive to the fact that he now oversees some of the folks responsible for whiffs like American Rust and The First Lady. The Department, an espionage series helmed by George Clooney, fits here, along with what will likely be two Billions spinoffs and, though he’s yet to hear any pitches, a Ray Donovan update.Īs McCarthy tells it, his plan, which came after a series of swift, ugly cancellations, is a way to provide clarity and a “way higher hit ratio,” which sounds like a bold declaration until you consider Showtime launched 23 new series over the past five years, and only two, Your Honor and Yellowjackets, have proved to be big, durable successes. And the third lane, which he credits predecessor David Nevins for carving out with Homeland and Ray Donovan and he’s eager to reignite, is all about “powerful, high-stakes worlds,” be they the CIA, Wall Street or Hollywood. That’s where current series like Yellowjackets, for which there are spinoff ideas already brewing, and a planned Dexter origin story fall. The second lane will feature the kind of antiheroes that the Bob Greenblatt era at Showtime introduced with shows like Nurse Jackie and Weeds. McCarthy says the show, from Emily in Paris creator Darren Star, will become “a little edgier, a little more mature” on his air. When it comes to LGBTQ fare, he’s already saved Uncoupled, which was canceled after one season at Netflix. “So instead of being just one show a year, I want to have six shows a year,” says McCarthy, noting that he doesn’t mean Chi prequels or sequels, though he also doesn’t rule those out. In fact, he’s certain The Chi could be four to five times bigger than it currently is if Showtime had more to offer its audience. “And even to this day, some of our biggest shows are in that lane,” he says, citing The L Word and The Chi, though he argues that there are not nearly enough of them to retain subscribers. The first, he explains, is about “diverse cultures,” which has been a part of Showtime’s DNA dating back to Soul Food and Queer as Folk. It’s like, ‘If I can see the title, the star and the key art, you’re going to break through the clutter.’ ” (If you’re looking for tea leaves, his personal viewing tastes tend toward The White Lotus, the Paramount-owned LGBTQ comedy Uncoupled and anything that MSNBC’s Rachel Maddow does.)Īs he laid out for the rep community during a recent round of agency visits, McCarthy’s Showtime, which will be rebranded Paramount+ With Showtime until someone comes up with a better name, will focus on three distinct lanes. Diaz and Keith Cox, whom he references often and is quick to praise. He says he leaves that to his team of creative executives, led by Nina L. “I think I often get confused for a creative, and I like to say, ‘I’m a creative businessperson, I’m a creative strategist,’ ” McCarthy tells me, noting that he isn’t the guy poring over scripts at night. What McCarthy is not is a creative, and to the apparent bafflement of Hollywood, he’s not pretending to be. Those who have worked with him as he climbed the cable ladder, from Logo to MTV, play up his deft handling of data and his ability to maximize resources and ratings, a skill set that appeals to MBA turned CEO Bob Bakish. Of course, his achievements were primarily in nonscripted until late 2019, when he was handed the keys to Paramount Network and its then-pricey new Western Yellowstone, which McCarthy spun into one of the most successful franchises in television. The truth is, McCarthy has been ascendant at what is now Paramount Global for close to 20 years, but the heavies in Hollywood have only recently started to pay attention. Home is and will continue to be New York, however, where McCarthy, now in his mid-40s, lives with his 150-pound rescue dog, Pumpkin. The executive, who floats through anonymously, has been here in Los Angeles every other week since he inherited Showtime, which shares space in his vast portfolio with Comedy Central, MTV, VH1 and Paramount Network. It’s a rainy March afternoon, and The Terrace at The Maybourne Beverly Hills, which McCarthy has selected for lunch (and lodging), lacks its usual bustle yet still has a smattering of soggy stars like Halle Berry, Jerrod Carmichael and Justin Bieber. Showtime's 'Ghosts of Beirut' Trailer Recounts CIA Manhunt for Deadly Terrorist (Exclusive) Unfortunately, each software platform deals with performance data differently. Tracks analyzed with Serato, won’t show their beat grid, hot cues and saved loops when loaded into Traktor for example. This can make switching platforms a long and dubious task, especially with large music libraries. Switching from Serato or Traktor to Rekordbox #Restore rekord buddy to default softwareįortunately, this is where Rekord Buddy 2 comes in, a piece of software that will transfer all your performance data between the major software platforms. Thanks to Pioneer DJ’s dominance in the hardware market, the switch to Rekordbox DJ is the most common we are asked about. Even if the DJ isn’t leaving their existing platform, having a USB or SD card with a Rekordbox collection onboard is useful for use with the club-standard CDJ players. Rekord Buddy 2 reads Serato and Traktor libraries natively, with crates and folders showing under the respective tabs with no external exporting needed. To import a crate from Serato or Traktor into Rekordbox, you simply drag the crate from the Serato tab in Rekord Buddy and drop it on the Rekordbox Playlists tab. You should then be able to see the crate inside the Rekordbox playlists in Rekord Buddy. If you’re happy with the changes, leave Rekord Buddy and press save. Not saving upon exit will leave all libraries unchanged. Open Rekordbox DJ and on the left, open the Rekordbox XML tab. If you can’t see this, make sure you have the option checked under tree view section of the layout pane in preferences. The Rekordbox XML tab will now show the playlists that you have imported via Rekord Buddy 2, you can now import the tracks into Rekordbox DJ by either dragging the playlists into the main Playlist section above. Not seeing your Rekorbox library inside Rekord Buddy 2? Or by right-clicking on the XML playlists and pressing import. Unfortunately for Rekordbox DJ users, the application is the only one that won’t share its library with Rekord Buddy 2 natively. There are a few steps you will need to follow first to allow Rekord Buddy 2 to read your library, essential for transferring from Rekordbox to other platforms.
Commonly available plates with kilogram denominations are 1.25, 2.5, 5, 10, 15, and 20 kilograms, with 0.5, 7.5, and 25 kilogram plates less commonly seen.Ĭommon Olympic (2-inch center hole) plate denominations are 2.5, 5, 10, 25, 35, and 45 lbs, with 1.25 and 100 pound discs less commonly seen. Standard (1-inch center hole) plates are commonly available in 2.5, 5, 10, and 25 lb denominations, with 1.25, 7.5, 12.5, 50, and 100 pound plates less commonly seen. Plates are available in a range of weights. Most plates are coated with enamel paint or hammertone to resist corrosion more expensive varieties may be coated with chrome, rubber, or plastic. Weight plates are typically round, although 12-sided and other polygonal varieties exist. Non-competition plates often have variable diameters and widths, such as on the adjustable dumbbells pictured right, with heavier plates generally being larger in diameter, thickness, or both. Weight plates may incorporate holes for ease of carrying (called "grip plates") or be solid discs (especially those used for competition). Standard plates are usually paired with adjustable dumbbells and Olympic plates with full-size barbells, although standard barbells and Olympic dumbbells exist. Two general categories exist: "standard" plates, which have a center hole of approximately one inch (25 mm), and "Olympic" plates, meant to fit on the two-inch (50 mm) sleeves of Olympic barbells. A weight plate is a flat, heavy object, usually made of cast iron, that is used in combination with barbells or dumbbells to produce a bar with a desired total weight for the purpose of physical exercise. |